ArchivesSpace at the University of Iowa

The rubberstamps were provided to Gaglione for an exhibition in 2009 at the Stamp Art Museum in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamps were provided to Gaglione for an exhibition in 2009 at the Stamp Art Museum in Chicago. -- Source of annotation: Marvin or Ruth Sackner.

The transparent pages are printed recto-verso with the texts in varied size fonts and typefaces. This book was reprinted c.1995 by the Faculty Fine Arts in Cuenca. -- Source of annotation: Marvin or Ruth Sackner.

The four books in this citation appear to have been created by neatly slicing a single tall book into four parts. Each booklet has three sections, two groups of pages that consist of blank red stock with text on a section of white pages in the center. -- Source of annotation: Marvin or Ruth Sackner.

Each page constists of densely, over-printed textual lines, horizontal, vertical or a combination of both. -- Source of annotation: Marvin or Ruth Sackner.

Words and letters are silkscreened onto cut pages of a German residential telephone directory. The letters are a surrogate for Japanese words for a book published in the Edo period. -- Source of annotation: Marvin or Ruth Sackner.

Each page is filled with a single rubberstamping of a single '5' or '6.' -- Source of annotation: Marvin or Ruth Sackner.

The first page reproduces the only surviving page from Vol.1 1878. -- Source of annotation: Marvin or Ruth Sackner.

Stored in same envelope as Kulemin's "De-Gradation." -- Source of annotation: Marvin or Ruth Sackner.

This book that includes six poems was privatedly distributed and is unrelated to a catalogue for a joint show done for an exhibition at Ugo Carrega's Mercato del Sale in 1976. -- Source of annotation: Marvin or Ruth Sackner.

The German word, Wurfelwurf, meaning throw of the dice, is printed in large capital letters in red, brown, and gray inks as a border around the folded and cut pages of this book. Rather than reprinting Mallarme's Un Coup de Des, Nasshan prints fragments of personal interest along with his impressions of the poem. Here the poem is subservient to Nasshan's creation of an artist book. -- Source of annotation: Marvin or Ruth Sackner.